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SID€SHOW 2

by Louis "Louison" de Mieulle

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TheEliteExtremophile
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TheEliteExtremophile Sid€show 2 continues in the same vein as its predecessor, with some notable changes. This record feels starker and colder than last year’s Side$how, and I like the continuity between these two albums.

Full review here: wp.me/pawrNb-c5
tomasbatista
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tomasbatista Its a perfect net of ideas, melodies, moods, this album is so damn deep man... Favorite track: The Two-Headed Kid Variations, part 2.
duplan
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duplan Super super tight math-jazz explorations from a gifted bass player and composer
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about

“Icy tones. Especially of note here is de Mieulle’s bass tone. It’s a crunchy, biting tone, and this tonal aggression fits the darker mood of Sid€show 2. [...] The individual instruments seem to be working around one another, rather than together. This observation isn’t a complaint, though, as that approach is effective at enhancing the mood.” (The Elite Extremophile)


Circus freak-jazz reverie interpolating emotional counterpoints, ambient synth-hop, and disjointed dissonant riffs.

This second Sid€show concept album tells the story of a tormented Two-Headed Kid, a bellicose Giant Fly, and an adorable Dwarf Elephant.
The intermission act presents the classic crowd-pleaser Bed of Snails.

The two keyboardists alternate dreamy and nightmarish soundscapes over steady yet intricate drum/bass loops.
Four musicians improvising live arrangements of character pieces.

Another chapter in Louis' post-Canterbury neoclassical fusion.

credits

released May 29, 2020

CREDITS

Sideshow Louis: bass, keyboards
Eitan Kenner: keyboards
Casimir Liberski: keyboards
Doron Lev: drums (2,4,5,6,7,8)
Raphaël Pannier: drums (1,3,9,10)

Composed by Louis de Mieulle
Mixed and mastered by Chris Krasnow
Tracks 1,3,9,10 recorded at Wonderpark Studios (Brooklyn) by Chris Krasnow, assisted by Eva Lawitts
Tracks 2,4,5,6,7,8 recorded at The Arc (Queens) by Roy Boukris, assisted by Ron Warburg.
Cover art: "Evolution Gone Mad" (H.M. Duffin, 1940)
Produced by Louis de Mieulle

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Louis "Louison" de Mieulle Paris, France

Cyberprog. Retrofuture. Dadavantgarde.

Light & fun avantgarde.
Forgotten influences (Canterbury scene, early XXth classical, cheesy fusion).
Electronic music with actual musical content.

Classical music studies: grandeur of European culture.
10 years in the US: land of superior show business and decadence.
Always pushing boundaries. "The appetite grows by what it feeds on"
... more

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